
By Kenn Taylor
Ominous
as evening draws in.
The deep red
that cuts through this decay
is dragged back to the west.
Past the mountains
from where the builders
of these streets
came.
Sheet steel, not glass,
fills windows.
Buddleia spurt from rooflines
in roads where even streetlights
have died.
Indifferent now to the dereliction
that awes some.
There is little romance
in domestic decay
when you see it every day.
The silence though.
‘What happened here?’
A passer by may ask.
‘Fire, flood, famine, war?’
All this and more.
Though this place in England
is really the result
of the dropping
of a thousand bombs
of ideology.
In times past
the few with power
saw money to be made.
Scraping back the fields
to cram in labour,
filling demand in a fierce new era.
Keeping the trade turning,
taking and not giving
from places faraway.
People came
looking for opportunity.
They built proud,
as if still for themselves,
in the hills
to last a thousand years.
Homes for those
seeking a better life.
Trying to get by,
though always in the firing line
through depressions and wars.
See a 1950s house
in-between Victorian walls.
From peace came another boom
that saw many out
to leafier spots.
A rare time
when people
maybe
had a chance.
The more desperate though
moved in from around the world.
To the houses
not yet pulled down
in the name of improvement
by those who felt they knew better.
New communities
trying to get by,
despite the vicious treatment
from those who hate difference.
Until Orford’s tactics
see bricks thrown back
at the thin line of authority,
shocked
that the worm could turn.
Sadly though
the end result,
even more labels put on a place
no longer treated as a community,
instead
abused as byword.
Left and right
claim it as their quarry.
Use it to blame each other,
as photo-journalists from Hampstead fight
to take the best pictures
of trainers hanging from telegraph poles.
Here though
a new plan emerges.
From clever types
in league with
desperate politicians
in a desperate city
and a few descendents also
of those with an eye
for profits from the land.
They all conspire from on high
to drop another bomb,
one of renewal.
‘This land must be cleared,’
traded again,
razed of its problems.
Those who remain though
just getting by,
trying to fight their corner,
are drowned out again
by those who feel
they know better.
The developers on one side,
scrabbling for deeds.
On the other
the creatives and
heritage enthusiasts.
Martyrs to old bricks
who set themselves up
as defenders
of what was never theirs.
Fantasists of a culture
they have never known,
they stalk around
writing of
tiling and wrought iron,
missing out the
rising damp and
regulation
Corporation Green doors.
Until they head back
far away
to quaint, expensive
places of no change.
No longer a place
in all its complexity,
instead just more bywords
for the ideologues.
Abused by both
poet and profiteer,
they squabble over the moral high ground
as the streets beneath them decay.
A battlefield.
One day,
can they just be homes?
Or do they have to wait
for the next bomb
from those
after money,
power,
or truth?
Long after opportunities rot away,
bonds remain.
Money gets throw in
then taken away
just as quick.
Everyone
carries on getting by
trying to rebuild
brick by brick.
Let people decide their own fate,
their own path for their community.
Is it so much to ask?
A car speeds down the silent street,
the sun has gone.
No light from the windows.
I reach the end of the road
and turn away.
This piece appeared in the July 2014 edition of The Shrieking Violet. Cover design by Robert Carter.
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